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Beyond Perception: Correspondences with the work of T Ingold

Beyond Perception: Correspondences with the work of T Ingold

Caroline Gatt (ORCID: 0000-0003-0509-4010)
  • Grant DOI 10.55776/PUB1071
  • Funding program Book Publications
  • Status ongoing
  • Start March 18, 2024
  • End March 17, 2027
  • Funding amount € 13,000
  • Project website

Disciplines

Sociology (100%)

Keywords

    Perception, Relational Anthropology, Emergence Paradigm, Ecological Anthropology, Tim Ingold

Abstract

Almost twentyfive years have passed since Tim Ingold published his ground-breaking The Perception of the Environment (TPE) in 2000. As set out in TPE and subsequent publications, Ingold proposed an understanding of the world that placed sentient, remembering and imagining organisms, or inhabitants, some of them human, at the heart of an extensive field of socio-ecological relations, with broad-ranging analyses of how this shift affected our understanding of personhood, knowledge and skills. TPE, and Ingolds subsequent books, have become key works for a variety of disciplines ranging from anthropology, archaeology, and human geography to art, architecture, design and studies of material and visual culture. This book showcases the way a range of scholars have engaged with Ingolds opus. This is the first book to synthesize scholarship drawing on Ingolds work, to lay out its principles, methods and results, and to demonstrate its contribution to reshaping both contemporary anthropology and wider intellectual terrains. In particular, the book aims to present and further develop a paradigm change that is underway across many academic disciplines from fixist to emergence onto-epistemologies. Each of the chapters shows how Ingolds work has been pivotal in this. Importantly, however, each author develops this new approach in unique ways. The book is organized into five sections addressing themes that are recurrent in Ingolds work: i) Humans, Animals, Environment; ii) Sensibilities Beyond Science; iii) Experiment, Experience, Education; iv) Creativity, Correspondence, Design; v) Movement, Becomings, Growth. The book comprises fifteen chapters by a mix of established and emerging scholars, and five section introductions by renowned academics, brought together by an introduction by the editors, Caroline Gatt and Jan Peter Laurens Loovers, a foreword by Tim Ingold and a concluding comment by Erin Manning.

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  • Universität Graz - 100%

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