Disciplines
Other Humanities (30%); Linguistics and Literature (70%)
Keywords
Biography,
Life Writing,
Eighteenth-Century Studies,
Johann Gottfried Herder,
German Literature
Abstract
This publication examines the prerequisites of the biographic construction of
individuality at the epochal threshold around 1800. In 1777, Johann Georg Wiggers
publishes the first German monograph entitled Ueber die Biographie (On Biography)
explicitly devoted to the question how a biography were to be written. The topic is
virulent due to the fact that in previous years a number of shorter pieces was published
as part of an academic dispute on the epistemological, pedagogical and anthropological
status of biographical writing. By examining selected texts from this debate, the first
book-length study on this topic aims to retrace the historical constellation at the origin
of modern German biography. It investigates the trajectories leading to the eminent
status of life stories as transmedial narratives still persisting to the present day.
Complementary perspectives explore amongst others the role of biography as a tool of
collective memory, the relation between pictorial and narrative representation of a
subject and the capacity of biographical identification. Furthermore, the study examines
biographical collections, a common genre for the eighteenth century, focussing on the
interplay of diverging life narratives opposed to the individual life story. The different
topics of this investigation are united by the question of what it means to perceive a
subject as the sum of his/her life. The theory of biography as it is developed by the texts
in question drafts an hermeneutic idea of man, that analogous to a book aims to render a
human being `readable`. The investigation demonstrates how the cultural significance of
biographical life narratives from the end of the eighteenth century up until the present is
based on the assumption that a subject can be interpreted through the individual story
of her/his life, much like a literary text. Thus, she/he becomes comprehensible and is
ultimately transformed from a living existence to an object of cultural knowledge.