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Content of the Publication: The book deals with a visual practice based on photography. In her research, Vera Brandner postulates that photography has a great potential to enhance mutual learning and research processes especially within interdisciplinary, transdisciplinary and intercultural domains of research, arguing that, due to its undisciplinarity, photography is easily accessible to many people regardless of their circumstances or social and professional backgrounds. Based on that, Vera Brandner has conceptualized, empirically tested and consolidated the methodological framework of Generative Picturing. Different aspects of photographic-visual methods are linked with postcolonial, photo-critical and emancipatory theory. This process was preceded by conceptual and practical groundwork within the activities of the association of ipsum between 2003 and 2010 in Angola, Pakistan, Afghanistan, Israel, Palestine and Austria. By systemizing the acts of gaze as well as the forms of interaction and reflection that occur within the field of photography, Generative Picturing can be used for dialogic and participative research work with people belonging to different epistemic cultures. What is new / special about this approach? Photography is employed as a practical tool in situations where the actors involved are estranged by their different origins, socializations and specializations, whilst they are connected with each other by a common problem. Generative Picturing is a kind of boundary work, it touches the boundaries between the Own and the Other, thus making problems accessible, open for research and transformable. Photography turns into a field of practice and research in order to make cultural difference visible and negotiable. In this field, the participants develop forms of action and reflection that help them tackle contradictions and insecurities appearing in their respective contexts.