Global Mountain Cinema
Disciplines
Arts (90%); Linguistics and Literature (10%)
Keywords
- Film Studies,
- Global Cinema,
- Mountain Studies,
- Ecocinema,
- Film History
Global Mountain Cinema, edited by Christian Quendler (University of Innsbruck), Caroline Schaumann (Emory University), and Kamaal Haque (Dickinson College), is the first academic book to approach mountain film culture from transgeneric, transnational, ecocritical, and transmedial perspectives. This book is dedicated to the particular challenges and opportunities mountains raise for histories and theories of cinema. In German-speaking countries, the relationship between mountains and cinema has been largely reduced to a small canon of Alpine filmmakers whose work has been categorized as the Classical Bergfilm. However, from a transnational and transgeneric perspective, the field of mountain cinema is not only much richer and more diverse but also addresses questions that are vital to film and media studies and inform postcolonial and environmental discourses in the Anthropocene. In this vein, the volume goes beyond national contexts to provide a timely and much-needed investigation into the generic innovations and intersectional negotiations of national, ethnic, and gender norms that take place in mountain cinema and its related media forms. The contributions to this volume reconsider the legacy of the mountain film by exploring mountains as sites of cinematic innovation across a variety of genres and aesthetic traditions. They trace cinematic production routes from Europe to Asia, the United States, and South America, moving beyond generic and national confines toward a transnational history of mountain cinema. Chapters analyze the diverse and wide-ranging cinematic strategies used to depict the human impact on mountain environments and examine how mountainous reinventions of cinema remediate environmental awareness and understanding Global Mountain Cinema took shape within the research network of the Austrian Science Fund project Delocating Mountains: Cinematic Landscapes and the Alpine Model and was developed in a series of international conferences and workshops hosted at the Universities of Innsbruck and Heidfelberg between 2021 and 2024.
- Universität Innsbruck - 100%