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Representations of Gender in the Austrian Television Culture of the 1970s

Representations of Gender in the Austrian Television Culture of the 1970s

Monika Bernold (ORCID: )
  • Grant DOI 10.55776/T57
  • Funding program Hertha Firnberg
  • Status ended
  • Start January 1, 2000
  • End December 31, 2004
  • Funding amount € 133,427
  • Project website

Disciplines

History, Archaeology (40%); Media and Communication Sciences (40%); Sociology (20%)

Keywords

    CONEMORARY HISTORY AUSTRIA, CULTURAL STUDIES, TELEVISION, FEMINISM, GENDER, CRIME

Abstract

Hertha Firnberg Position T 57 Gender in the Austrian TV-Culture Monika BERNOLD 29.03.1999 The research project "Representations of Gender in the Austrian Television Culture of the 1970s" intends to historicize television as well as to open up historiography`s barriers with regard to audio-visual media. Television therefore has to be to be questioned and reconstructed in various contexts (including that of its theoretical conceptualisations). The research will develop a concept of culture, where television is not situated opposite to society, but rather as a central site for the production of meaning, through which power relations are produced and negotiated within political and institutional discourses and practices, systems of representation and practices of reception in complex and contradictory ways. The project focuses on television as a space of negotiation between competing interests and representations of gender and national identity during the 1970s. The two exemplary programmes that I have chosen for analysis, "women`s magazines", (e.g. Prisma) and the phenomenon of TV dragnet operation (Aktenzeichen XY) are significant for a period, when feminism entered the public discourses on politics, and when Austria became a "Television Nation" in the sense of a nationalised consumer society. The analyses of these extremely different types of programmes, as well as the reconstruction of various debates on the programmes` issues should reveal what those formats tell about the institutional and the representational settings of 1970s public broadcast television itself, and in which way processes of transformation and social conflict within Austrian society of the 1970s were represented and negotiated within television. The confrontation of discourses (feminism and `crime`) traditionally not seen together allows for innovative ways of exploring television culture as a field of synchronous differences with complex relation to unevenness, continuity and change.

Research institution(s)
  • Universität Wien - 100%
Project participants
  • Gerhard Jagschitz, Universität Wien , associated research partner

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