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The Gaspar van Weerbeke Edition

The Gaspar van Weerbeke Edition

Andrea Lindmayr-Brandl (ORCID: 0000-0003-4438-7158)
  • Grant DOI 10.55776/P21795
  • Funding program Principal Investigator Projects
  • Status ended
  • Start November 1, 2009
  • End September 30, 2012
  • Funding amount € 73,634
  • Project website

Disciplines

Other Humanities (25%); Arts (75%)

Keywords

    Gaspar van Weerbeke, Polyphonic Music, Edition, 15th century, Masses, Music History

Abstract Final report

"The Gaspar van Weerbeke Edition" is conceived as part of the complete music edition of one of the great composers in the second half of the 15th century. The entire edition has been planned for many years and should consist of five volumes when completed. Only one volume has been published so far. Two other volumes will be published in 2009/10 as a result of the FWF project No. P17265. Then the repertoire of the motets, all smaller liturgical works and secular compositions are available in ambitous scholarly editions. The aim of the extension of the project is to prepare and complete the next volume of the Collected Works containing the early masses. The edition of Gaspar`s early masses will enable a reliable analytical approach to a music that is closely connected with the Milanes style - Weerbeke`s place of activity for a long term. It will allow not only the correct evaluation of the composer`s role in the history of the genre and his contribution to the development of new compositional techniques, but also to refine our insight into the blossoming of the genre at the end of the 15th century. The American Institute of Musicology/ A-R edition has agreed to publish all volumes of the Gaspar edition on its own costs in the renowned series CORPUS MENSURABILIS MUSICAE (CMM). International distribution of the editorial work is thereby guaranteed.

Gaspar van Weerbeke was a significant late fifteenth-century composer who worked at the Milanese chapel and other major musical institutions. Substantial progress on the edition and evaluation of his music, which was long overdue, was made with the recent publication of Weerbekes motets and other liturgical works (prior FWF-project). Now that the present FWF-project has been brought to completion, the first volume of the masses will soon be published. Weerbeke is associated with a particular Milanese motet style whose origin has been discussed for decades, and has been challenged recently by research on his famous colleague Josquin Desprez. A reliable edition of Gaspars works using highest editorial standards now provides the basis for further analytical investigation of his work, questions of personal and local style, and the development of specific genres. These specific questions are also important for providing a broader picture of music history at the end of the fifteenth century. Once the remaining volumes of the Gaspar van Weerbeke Edition have been published, his complete works will be available for performance and recording, and thus communicated to a public receptive to historical music. The inclusion of this edition within the renowned series CORPUS MENSURABILIS MUSICAE (CMM), edited by the American Institute of Musicology, guarantees that this music will be easily accessible and guarantees an international diffusion of the editorial work.

Research institution(s)
  • Universität Salzburg - 100%

Research Output

  • 10 Publications
Publications
  • 2012
    Title Ludwig Senfl und seine Freunde: æmulatio und individuatio im Frühen Deutschen Lied.
    Type Journal Article
    Author Lindmayer-Brandl A
    Journal Senfl-Studien I, ed. by Stefan Gasch, Birgit Lodes and Sonja Tröster (Wiener Forum für ältere Musikgeschichte 4)
  • 2012
    Title Rudolf von Fickers Einleitungstext zum sechsten Auswahlband der Trienter Kodizes in den DTÖ. Ein wiederaufgefundener Entwurf aus dem Nachlass.
    Type Book Chapter
    Author Lindmayer-Brandl A
  • 2011
    Title The Role of Music in the 16th Century German City Life. A close look at the iconography of Hans Sachs' and Jost Amman's Ständebuch.
    Type Book Chapter
    Author Bon Jour
  • 2010
    Title Magic Music in a Magic Square. Politics and Occultism in Ludwig Senfl's Riddle Canon Salve sancta parens.
    Type Journal Article
    Author Lindmayer-Brandl A
  • 2010
    Title Ein Rätselkanon für den Salzburger Erzbischof Matthäus Lang: Ludwig Senfls "Salve sancta parens".
    Type Book Chapter
    Author Klang-Quellen. Festschrift Für Ernst Hintermaier Zum 65. Geburtstag (Veröffentlichungen Zur Salzburger Musikgeschichte 9)
  • 2010
    Title Stabat mater / Vidi speciosam: Zur Entstehung und Datierung der Motette Gaspar van Weerbekes im Chigi-Codex,
    Type Journal Article
    Author Pavanello A
  • 2011
    Title Strange Polyphonic Borrowings: Josquin's Missa Faysant regretz.
    Type Book Chapter
    Author Josquin And The Sublime
  • 2010
    Title Peter Schöffer der Jüngere, das Erbe Gutenbergs und .
    Type Book Chapter
    Author Lindmayer-Brandl A
  • 2010
    Title Il ciclo di mottetti "in honorem Sancti Spiritus" di Gaspar van Weerbeke intorno ad un'ipotesi sulla sua origine.
    Type Journal Article
    Author Pavanello A
    Journal Musica Disciplina
  • 2010
    Title Gaspar van Weerbeke. Opera Omnia, Vol. IV: Motetti.
    Type Journal Article
    Author Lindmayer-Brandl A
    Journal Corpus mensurabilis musicae 106:4, American Institute of Musicology

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