Disciplines
Other Humanities (25%); Arts (25%); Sociology (50%)
Keywords
Festivals,
Sound Art,
Media Art,
Experimental Music,
Organizational Structures,
Working Conditions
Abstract
This book takes its readers to worlds located between clubs, galleries, and cultural spaces. The author
illustrates and conceptualizes a new festival format, characterized as transmedia festivals, that has
increasingly established itself in major European cities since the 2000s. In this long-term
ethnographic study, ten selected European festivals and their audiosocial communities are examined,
which present avant-garde experiments between art, music and technology. The fascination of these
hybrid art forms is vividly explored. In addition, the ethnography highlights the efforts of those
involved to cope with the risks and challenges of an economized cultural sector. The resulting
disruptions and ambivalences of a present in which gentrification processes and platform capitalism
have profoundly changed the concert and event landscape are analyzed and illustrated. This creates a
multifaceted portrait of art and cultural work in the present and how it is interwoven with the
transformation processes of the 21st century.