Disciplines
Other Humanities (15%); History, Archaeology (15%); Arts (60%); Political Science (10%)
Keywords
Cold War Studies,
Global Modernism,
Transcultural Studies,
Mobility Studies,
Migratory Aesthetics,
Internationalism
Abstract
During the Cold War, the Central European capital city of Prague, alongside other locations in
the polarized postwar world, emerged as a key site where an art world of significant
importance for artists from South Asia developed. By emphasizing cultural mobility as a
catalyst for exchange and network building, this book challenges and complicates
assumptions about Cold War binaries of East and West, and the polarization between so-
called totalitarian regimes and free cultures. It offers a narrative of decolonization that
rejected rigid systemic alignments in favor of participation across political and ideological
blocs. Positioning Prague as a nexus where South Asian modernisms intersected with multiple
peoples, histories, and ideologies in the post-World War II era, this book proposes new ways
of writing art histories that prioritize migratory aesthetics over nationalist parochialism.
Including an extensive and first in-depth research into archival materials, the book makes a
significant contribution to both Cold War studies and critical global modernism studies.