Disciplines
Other Humanities (15%); History, Archaeology (15%); Arts (60%); Political Science (10%)
Keywords
- Cold War Studies,
- Global Modernism,
- Transcultural Studies,
- Mobility Studies,
- Migratory Aesthetics,
- Internationalism
Abstract
During the Cold War, the Central European capital city of Prague, alongside other locations in
the polarized postwar world, emerged as a key site where an art world of significant
importance for artists from South Asia developed. By emphasizing cultural mobility as a
catalyst for exchange and network building, this book challenges and complicates
assumptions about Cold War binaries of East and West, and the polarization between so-
called totalitarian regimes and free cultures. It offers a narrative of decolonization that
rejected rigid systemic alignments in favor of participation across political and ideological
blocs. Positioning Prague as a nexus where South Asian modernisms intersected with multiple
peoples, histories, and ideologies in the post-World War II era, this book proposes new ways
of writing art histories that prioritize migratory aesthetics over nationalist parochialism.
Including an extensive and first in-depth research into archival materials, the book makes a
significant contribution to both Cold War studies and critical global modernism studies.