The book John Gibson. the reception of Canova in Great Britain is focussed on the sculptor
John Gibson (1790-1866) and analyses the impact of the artistic output of Antonio Canova, his
master, on his work. Gibson gained exceptional and international reputation during his lifetimes.
He became a member of eleven academies, and Ludwig I. of Bavaria dedicated him a portrait
statue, as one of the six most eminent contemporary sculptors, at the eastern facade of the
Glytpothek in Munich. Anyhow, he became forgotten shortly after his death and an analysis of
his life and work has been a significant desideratum within scholarly research until now.
However, such an approach seems very promising from todays point of view, due to the
outstanding quality of the written sources which consist of more than 900 letters in various
British archives. The book will analyze these sources critically focussing on the question of the
impact Canova on Gibsons work. The key assumption is that both sculptors, played a crucial
role in the strengthening of British sculpture, especially ideal sculpture, at the beginning of the
19th century and became therefore pioneers of modern sculpture.
The book is divided into two main chapters: the introduction offers some basic information on
John Gibson and 19th century British sculpture whereas the main part focuses on his role
regarding the reception and transfer of ideal sculpture established by Canova in Great Britain.
Moreover, Gibsons strategies of self-representation as Canovas last pupil will be highlighted.
The outcome of the book is summed up in a comprehensive synthesis and moreover
perspectives for further research are given by an analysis of the Tinted Venus, Gibsons most
famous work.