Disciplines
Other Humanities (25%); Arts (20%); Philosophy, Ethics, Religion (25%); Linguistics and Literature (30%)
Keywords
Existentialism,
Allied-Occupied Austria,
Franco-Austrian Cultural Transfer,
Post-1945 Literature,
Post-1945 Philosophy,
Theatre Scandal
Abstract
This study centers on the Austrian reception of French existentialism, a philosophical-literary
movement that had an international impact after the Second World War. It examines when and
by what means the writing, thinking, and lifestyle of the Parisian circle around Jean-Paul Sartre
spread in Austria, be it as a fashion among young people and artists, as an inspiration for writers
and intellectuals, or as a provocation in the eyes of various critics. The strongest opposition
came from communist critics who rejected Sartres philosophy of freedom as too abstract and
idealistic and from Catholic critics who accused his concept of nihilism for its denial of any
fixed human essence.
The material reviewed includes coverage of existentialism in newspapers and magazines,
theater performances, and academic research and teaching. As the first encounters with the
movement took place in the years 1945 to 1955, special attention is given to the socio-historical
background of the Allied occupation, particularly to French cultural policy in Austria.
Finally, a number of case studies on how writers such as Ilse Aichinger, Andreas Okopenko,
Milo Dor, Elfriede Jelinek, Josef Winkler, and Norbert Gstrein dealt with theories of
commitment and adapted existentialist themes and motifs to their works ultimately help identify
existentialism as an impulse for the literary and philosophical life in Austria to this day.