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Vienna´s New Year´s Concerts: Same procedure as every year?

Vienna´s New Year´s Concerts: Same procedure as every year?

David M. Weigl (ORCID: 0000-0003-1502-1528)
  • Grant DOI 10.55776/SCP1556025
  • Funding program Wissenschaftskommunikation
  • Status ongoing
  • Start December 1, 2025
  • End November 30, 2026
  • Funding amount € 99,676

Disciplines

Other Humanities (25%); Computer Sciences (25%); Arts (25%); Media and Communication Sciences (25%)

Keywords

    Digital musicology, Music encoding, Audio-score alignment, Science communication, User studies, HCI

Abstract

The Vienna Philharmonics New Years Concert is a global New Years tradition, reaching tens of millions of viewers in nearly 100 countries through its annual live broadcast. Its unique blend of consistency and evolution makes it a compelling subject for musicology: deeply tied to the Vienna Philharmonics identity yet shaped by its evolving membership; guided by legendary conductors who once held their roles for decades but now change annually; and balancing a repertoire of beloved classics such as Johann Strauss IIs An der schönen blauen Donau (Blue Danube Waltz) and Johann Strauss Is Radetzkymarsch (Radetzky March) with fresh selections each year. These qualities repetition and transformation create a rich dataset for analysing performance trends, stylistic shifts, and the orchestras distinctive musical fingerprint over time. We have developed software tools to help us study large music collections with many recorded interpretations of the same piece, using automatic alignment algorithms to connect the different renditions to one-another on a sub-note-level granularity. This means that we can listen to a piece as performed in one recording, and seamlessly switch playback across to other recordings in our collection, immediately achieving a sense of similarities and differences. We can also set markers at particular points of interest, and zoom in on how these are performed in each rendition. Finally, through so-called audio-to-score alignment, we are able to jump to specific instants of the music by selecting them within a computer- encoded music score. Our tools are open-source and freely available to the public, allowing other scholars and enthusiasts to put their own collections "under the microscope" in this way. For the first time, we are also providing access to our extensive library of New Year`s Concert recordings (alongside a large collection of recordings of relevant pieces performed by other notable orchestras) through a special exhibition at Vienna`s House of Strauss museum. To prepare for this new exhibit, we are conducting a series of user studies to ensure the tools are fun and easy to use by a broad audience of music lovers. Come join us on a musical journey through time, and find out for yourself why the New Year`s Concerts are not just "the same procedure every year!"

Research institution(s)
  • Universität für Musik und darstellende Kunst Wien - 100%
Project participants
  • Thomas Aigner, Stadt Wien , national collaboration partner
  • Hermann Rauter, Wiener Institut für Strauss-Forschung , national collaboration partner
  • Norbert Rubey, Wiener Institut für Strauss-Forschung , national collaboration partner

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(Entrance Wiesingerstraße 4)
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office(at)fwf.ac.at
+43 1 505 67 40

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